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Respect Linval Thompson



Image Source: Getty Images

Linval Thompson returns to the forefront of the reggae sphere with the album, Look How Me Sexy. Released by Greensleeves Records, a division of VP Music Group, the album arrives just in time for Thompson’s birthday on October 12. It is an impressive ten track compilation. A great album for the ever-expanding reggae family. And for the collectors preferring the authentic warm and mellow sound of the 80s reggae vibe, the album is also available on vinyl.

Leading the debut is the title song, “Look How Me Sexy,” produced by the late Henry “Junjo” Lawes from the renowned “I’m Not Getting Crazy” riddim. Originally released in 1982, this song is symbolic of the time, place, and cultural climate of lover’s rock reggae with a lasting influence of the rock steady vibes. Throughout the 80s to the early 2000s, this rhythm has been shared and reproduced by many remarkable vocalists as Don Carlos and Captain Sinbad, Frankie Paul, Toyan, and King Yellowman.

And this version by Linval Thompson is one of our favourite selections from the album. Apart from an impeccable lyrical, melodic, and vocal delivery by Thompson, it is also representing a full circle moment in one of the phenomenal eras in reggae history. A time when artists, as Thompson, inspired creativity among fellow artists and leadership was demonstrated through productivity rather than vacant popularity. For example, Thompson has worked with many artists as the Scientist, Johnny Clarke, King Tubby, Freddie Mc Gregor, Beenie Man, Dennis Brown, Eek-A-Mouse, and Lee "Scratch Perry.


Therefore, while many may question the re-release of past works, it is these foundation artists’ works and practices that anchored reggae music in Jamaica and influenced its reach worldwide. We need this knowledge to maintain ownership of the roots of reggae music. And to respect the struggles along with the accomplishments of the forefathers and uncles of the music. As well, we can welcome the diverse and universal interpretation of this genre and be inspired by the greatness of the new contributors from the domestic and international community.

But why have we not heard more about Thompson? Well, throughout the years he is too busy being a true artist. Taking the time to master his talent as a songwriter, record producer, dub musician, sound engineer, vocalist, and label owner. To date, Thompson has more than 300 releases, 27 albums, and 500 writing and composition credits. Rarely is anyone this involved in refining and comprehensively understanding his gift and its place in the cultural landscape and strengthening his peers have the time for small talk. Another key takeaway.

We look forward to hearing the rest of the album. Much respect to VP Music Group, Carter Van Pelt, and the team of Greensleeves Records for bringing Linval Thompson back to the center stage. One love for Linval Thompson for his phenomenal catalogue of work and adding value to the cultural capital of Jamaica.

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